El Decameron Negro – Javier Riba

This piece by Leo Brouwer is very important to me. It represents the best of contemporary guitar, is a flagship for compositions from the New World and is my favourite Brouwer piece. I have only ever met him in passing but have enjoyed him as a composer and conductor and been inspired by him for years. I heard El Decameron Negro in Montreal at about the same time I began classical guitar lessons (1987?) and was hooked. I ran out and bought a recording by Jorge Oraison and the sheet music shown in the photo. Only at 22 could I have ever believed that learning to play this was within my possibilities. As you can see I still have the sheet music and still pull it out every now and then and try to understand how the beauty of Ballade de la Demoiselle Amoureuse can possibly be distilled into the black and white that I see on the page. Speaking of that 3rd movement, if you are not really a fan of guitar or music in general just jump to 9:00 and listen to that. For the rest of you listen to the whole thing from start to finish, won’t disappoint.

So here we are over 30 years later and I still can’t play the music but I can make the perfect guitar to play it on and I have a dear friend who plays it beautifully. Thank you Javier!

Satisfaction

We live for creating beautiful instruments and selling them to great players. Hearing truly beautiful music played on an instrument that you have made is as good as it gets. However, since so many of them go far away I find satisfaction often comes from something closer to home . Completing an instrument and hearing the first golden notes is definitely a high but just admiring the beauty of the wood we work with is food for the soul as well.

Thomas Durán 1684

The Antonio de Torres Museum has organized an exhibition “Five centuries of the Spanish guitar” with a guitar made by Thomas Durán as its central piece. I am looking forward to attending later this month if I can manage it. The main strength of the museum as I have experienced it is the temporary exhibitions as well the concerts and conferences organised by the Sociedad Guitarrística de Almería – Antonio de Torres. In this case the person responsible for the exhibition is the luthier Carlos González from Almeria.

XV Festival Internacional de Guitarra “Ciutat de Xixona”

This festival includes a competition for young players, masterclasses and some very interesting concerts.

El Arte de un Guitarrero Español

Another incursion into my guitar bookshelves has reminded me of a book by a spanish maker: Jerónimo Peña Fernández. The title is “El Arte de un Guitarrero Español” and although it makes for an interesting read in Spanish , it is not what most people would expect from a method book and perhaps there are much better choices for the novice.

 

Above is a photo from that book showing a  bracing system that was surely his own invention. Lattice bracing that I have seen is made up of diagonally placed braces which cross each other but there are many variations on that theme. I remember reading somewhere how the Smallman type lattice came about but nobody mentioned this guy who has been building for 50 or 60 years. I don’t know when he started using this system but it was a long time ago. He is known all over the world and even seems to have a street named after him in his home town. In the book there are drawing of other systems some of which include diagonal braces.