First in a series

I was perusing my collection of guitar books and realised that while some of you might have a similar collection there are certainly those among you who will be interested in hearing some of the anecdotes found in those books. I’m starting with a book by Julia Crowe which I loved. It is full of stories from guitarists from all “walks” of music. The title is “My First Guitar” and is based on interviews with a plethora of guitarists, guitar-makers and technicians. The book makes for a great read even if your heros are not guitar heros; mine are. Here is something from Juan Martin’s story on page 107:

When I was seventeen, I went to Madrid and mixed up with the great players in the capital. I used to listen to a record of the great flamenco guitarist Niño Ricardo, and would do this by slowing down the old 33 rpm LP to the speed of 16, making the music one octave lower. This way, I could more or less work out what I was hearing. So when I traveled to Madrid, I went to the Conde Hermanos shop with the hope of finding a better guitar than the Conde I had or at least to see if they could make it better for me. I played this Ricardo material and there was this old man in the shop, listening. He said to to me, gruffly, “¿Tu quien eres?” (“Who are you?”). I said “Juan Martin.” “¿De donde ha aprendido esto?” (“Where did you learn this?”). I told him I learned it from Niño Ricardo.          “Yo soy el Ricardo!” he growled.

Of course he goes on to tell how he learned from and drank wine with Niño Ricardo and went on to meet other guitar greats. The book is inspiring and funny and well worth tracking down. The ebook version is readily available and you can contact Julia for a copy on her blog at this link.

 

New CD – Andrea Corongiu

This story starts in 2014 when I travelled to Madrid to study and document a guitar by Santos Hernández which is conserved at the “Biblioteca Musical de Madrid”. The first result was an article and blueprints published in Roseta magazine in Spanish. The guitar in question was owned by Andrés Segovia and as is so often the case with Santos it is a fantastic instrument. Soon after examining it I began to consider making a copy. In the intervening years I have made a goodly number and they have all been very successful. However, this is the first time I have heard one on a proper recording.

Andrea Corongiu is a young italian guitarist who is already doing great things. Numerous first prizes at competitions and many great concerts. He is a very expressive player and a has excellent technique which allows him to do anything he wants on the guitar. Last year Andrea came to Granada and bought a Santos copy made by myself and has played it since as well as recording this CD with it. I just received a copy of the CD and I find it wonderfully played and the pieces very well chosen. I highly reccommend it, objectively of course. Buy here!

You can also find it digitally on Amazon, Itunes and other similar sites.

The last CITES

With a bit of luck this will be the last time I have to fill out CITES paperwork. Musical instruments will be exempt from CITES II and III controls starting soon. These two years of having to comply has been an added hassle that we just don’t need so we are quite happy about it. From now on it will just be articles in Appendix I that will be problematic. I have always tried to avoid restricted wood so I will say good-bye to CITES forever.