Paracho guitars

Below is a good article about the plight of artisans in the face of the greed of importers and resellers.  It seems that Chinese imports are cheaper than the locally-made product so the resellers can make more money selling the imports.  Sales have plummetted and a cultural mainstay is in danger.  I will try to get permission to translate the article and publish it here.  This problem is close to my heart because although for now this problem is minimal in Granada (I know of only one “factory” importing Chinese guitars and labelling them as Granada guitars) the day might come when we need to defend our reputations.  The prestige of the guitar-makers of Granada comes from the quality of the instruments and the fact that each instrument is signed by the maker and this guarantees it to be a “handmade” guitar.  Handmade meaning not that no machinery was used but rather that the hands of the maker control every step of the process; there are no automated processes like there might be in a factory.  Furthermore the instrument is started and finished by one person (unless the maker has an apprentice).  This reputation is threatened by those who import guitars form China or Valencia or elsewhere and label them with a Granada label (a glaring fraud if ever there was one), by those who operate a factory and claim to make “luthier” or artisan instruments and by those who generally try to take  advantage of Granada’s reputation.

 

Guitarras de Paracho, una valoración artesanal, ante la nueva industria china Lucía Cacari Alejos

La actividad artesanal de Michoacán goza de un gran reconocimiento, tanto a nivel  nacional como internacional por su alto contenido artístico y cultural. La laudería es el trabajo que se realiza en Paracho Michoacán, cuya  ocupación es  la construcción de la guitarra  artesanal que ha sido una  actividad económica muy tradicional de este lugar…..continue reading in spanish

Pete Seeger

Pete Seeger died yesterday.   Still selling out concert halls, and able to make the audience sing along even last year at the age of 93.

“Every kid who ever sat around a campfire singing an old song is indebted in some way to Pete Seeger,” fellow folk singer Arlo Guthrie, son of Woody Guthrie, told the AP.

Not only am I that kid but my father was that kid too.  He used to sing us folk songs accompanying himself on guitar or banjo and my love for the guitar started there.  I am still a huge fan of folk music, bluegrass and related genres.  So, good-bye Pete Seeger and thanks for the inspiration.

http://en.wikipedia.org/wiki/Pete_Seeger

pretty wood

P1030606 P1030610 P1030612Mostly I try to use a particular piece of wood for structural or acoustic reasons but then there is sheer beauty and when they all come together…

Antonio de Torres Guitar Museum

http://www.canalsur.es/inaugurado-el-museo-de-la-guitarra-espanola-antonio-de–torres/356433.html

The above link leads to a short article including a video of the recent inauguration of the Museum of the Guitar in Almeria, the hometown of Antonio de Torres.  I have yet to visit the museum but the iniciative is a very welcome one given that the closest thing we have to a guitar museum in this country that gave birth to our beloved instrument is the collection at the Museum of Music in Barcelona.   José Luis Romanillos has got very little support in his attempts to establish a museum near his home in the province of Guadalajara, hopefully this centre will get more. 

A New Guitar for Javier Riba

Javier Riba was in the shop again today to take delivery of his new guitar.  In 2010 I made a cypress body guitar for him and now four years later he is getting traditional and ordered a rosewood guitar.  The differences between the two guitars are not very big but Javier is very sensitive to them.  I have taken the cypress guitar in exchange and it is now available.  This guitar was used for a number of concerts and recordings including something for Spanish public radio and a worldwide premier of a piece by Angelo Gilardino.  I asked him to make a video with it today just to show you what it sounds like.  This is the first part of “Un día de noviembre” by Leo Brouwer.