We make great use of hand tools especially planes, chisels, files and saws but also specialty tools. These can be made by the builder or made to our specifications by local metal-workers. One example of the latter is this cutting gauge which can be used to mark the binding cuts which are then chiselled out. It has a curved side for the waist and a flat side which works well for registering against the top or back. Even with more modern methods it is still often useful for achieving uniformity in the waist area.
Author Archives: johnray
I Jornadas de Organología
The Complutense University of Madrid recently organized a musicology congress specifically centred around musical instruments. This discipline is called organology and is a word which you will not find in typical dictionaries. Among the talks were a fascinating look into the restoration of pianola scores at the Spanish National Library, an overview of the Santos Hernández archive which belongs to the provincial government of Guadalajara and a number of other subjects. Usually when I attend a congress or a festival I pick and choose what I want to attend but this time I found almost everything very interesting. I was invited to speak about the Santos Hernández guitar which Andrés Segovia donated to the Musical Library in Madrid. I have studied that guitar extensively and even drew a blueprint of it.
Day one took place in Sigüenza at the Museum which houses the Romanillos/Harris collection and Santos Hernández workshop. The two following days were hosted by the organizers at the History Faculty of the Complutense University.
Romanillos/Harris Guitar Museum
I finally managed to visit the Casa del Doncel in Sigüenza for the first time. It was a pleasure and an honor to get to see Marion again and to see firsthand some of their important work. The guitars on display are very interesting and of course the workshop of Santos Hernández is full of fascinating clues as to how he worked. In the photo you can see a workboard which shows one of the systems Santos used to put together his guitars. The piece showed here was apparently part of the Metropolitan exhibition and is explained very well in an article by Bruné and Sheppard in American Lutherie. Basically the guitar is built facing down but starting by gluieng the back on first.
The occasion was the I Congress of Organology and the Romanillos-Harris Association and the town of Sigüenza were involved in the organization. Everyone from the Association was helpful and friendly and I hope it continues to grow and do great things. More about the Congress soon. One of the highlights was a short concert by Javier Somoza which took place under the newly discovered mudejar arch.
Paco Vico
Francisco Vico Molina was my friend. We would call each other up to talk about building. We would complain about the market and how difficult we found that aspect of this work. He came to Granada a few times and we had lunch together. I visited him in his workshop too. The last time we spoke I promised to send him some details of an antique guitar which I had measured and photographed. That was before my holidays and when I got back I learned that he was gone. I always say that guitar-makers tend to work until their final days and I think that is the way to go. I guess it’s just that 66 seems too young to go. Rest in peace.
Lisa Hurlong
Lisa Hurlong is an institution here in Granada. She has sold us wood, stings, saddle blanks, tap plates and has brought clients to us by the hundreds. Once again we have Vicente Coves to thank for a much needed celebration of her work and her person. It took the form of a concert by Bill Kanengiser which was great. He played some pieces from his Diaspora Project which you can read about here. As you might expect I saw quite a few other builders there as we all know Lisa. I went with a guitar-playing friend and after hearing “Ode to Whiskey” we were inspired to go get ourselves a glass of wine.