Juan Carmona Habichuela


Thursday saw the passing of a flamenco legend:  Juan Carmona. The family has used the nickname of Habichuela for years so he was professionally known as Juan Habichuela or Juan Carmona Habichuela.  Born in 1933 Juan began dancing at the age of ten but turned to the guitar at the age of 15 and quickly gained fame as an accompanyist.

Juan played for singers such as Fosforito, Camarón, Manolo Caracol, Mairena, Bernarda de Utrera and Enrique Morente. These days flamenco guitarrists in general have followed in the footsteps of Paco de Lucia, Vicente Amigo and Gerardo Nuñez in that the instrument is a solo voice or often the focal point of a concert or album.  Juan was old school and for the most part limited himself to accompanying great singers.

Among the recordings made over a life of flamenco are: his first album with Rafael Farina, another with Manolo Caracól, a 1999 album with greats including Paco de Lucia and José Mercé, “Campo del Principe” (2002) with Juanito Valderrama, and Enrique Morente and others, and in 2007 “Una guitarra en Granada”. Juan toured extensively and had played in New York, Buenos Aires, Santiago de Chile, Mexico, Bogota and other cities all over the world.

His legacy is the profound respect that his colleagues had for the man and his criteria, the music and of course the saga of artists that follow him: his sons Juan y Antonio and his nephew José Miguel -members of Ketama-, su nephew Pepe Luis, founder of  La Barbería del Sur and his grandson Juan Carmona an excellent guitarist in his own right.

Guitar concerts Manuel de Falla

 

Guitarra en los jardines del Falla.  Falla is the name given to the classical music auditorium here in Granada (Auditorio Manuel de Falla).  This will be the third year that guitar concerts will be offered in the courtyard.  A lovely, cool venue for wonderful music.  Here is the lineup.

14 de julio 2016

Rafael Aguirre

21 de julio 2016

Eduardo Inestal

28 de julio 2016

David Martínez

4 de agosto 2016

Alí Arango

11 de agosto 2016

Liu Xianji (Ganador Concurso Internacional Gredos San Diego (Madrid)

18 de agosto 2016

Javier Conde

25 de agosto 2016

Deion Cho

1 de septiembre 2016

J. Clerch

Visit the webpage for tickets.

Santos Hernández and Antonio de Torres

One might think that these two makers – the 19th century maker of the first recognizably modern guitar and the most famous maker of the 20th century – made very similar instruments and in general that would be correct.  Both made lightly-built, responsive and beautiful guitars and in general used the integral neck and fan bracing of some description.  However, both makers experimented extensively, Torres with body shape and tornavoz while Santos used many different fan and transverse bar layouts.

I am making one of my very much in demand Torres copies right now alongside a Santos copy which has also proven to be quite successful.  The depth measurements of a guitar body affect the air volume and hence the resonant frequencies, it can make the guitar more or less comfortable for the guitarist to hold and play and of course it changes the aesthetics. This picture shows just what a difference in depthIMG_0914 there is between these two models. There are a few other differences as well, the Santos is made with thinner top and sides and the lower transverse bar is placed diagonally.  I had never experimented with that configuration before but I am liking the results.

Guitar music this month

I check the schedule every year for the International Festival of Music and Dance to see if there are guitar concerts and this year we have a few but not as many as I would like to see. Here are the concerts that you can catch if you are in Granada.
Gemma Caro Torralba
Viernes 24 de junio, 22.00 h
Palacio de los Pérez de Herrasti

Alí Arango

Martes 28 junio – 22.00h

Corral del Carbón

Cañizares

Martes 21 junio – 22.30h

Patio de los Arrayanes

Click on the image above for a complete list of all activities.

 

Short-scale guitars

I have always made a high proportion of 640 instruments as they sound great and the earlier instruments have encouraged guitarists to order one.  630 has not been so popular but recently I have had a few people asking and seen some discussions online about where to get a 630 guitar.  It seems there is a scarcity of quality short-scale instruments and players are forced to buy mass-produced products that are often made in China under an American name.  Ordering a short-scale from a maker one trusts should be an obvious option but for some reason guitarists are nervous about how it will turn out.

630bI have a smaller mold made by my teacher for short-scale guitars that I have never used and so I thought that I would make a 630 scale and see if there is a serious market.  The top is very nice and stiff and the wood is special as I decided not to use Indian rosewood for this one.630a