The opening concert of the Granada Guitar Festival yesterday was a pleasure. The Carlos V palace on the Alhambra grounds is the perfect place for a late evening concert and the music was excellent. The OCG quartet are excellent musicians and joined Pepe Romero for the second half of his concert. I love the guitar and I love chamber music so Boccherini is a perfect union of the two. The Festival continues until the closing concert on August 8. See the full programme here.

Bar supports versus lining pockets
It is very clear to me that there are more advantages to setting the back bars into the linings as opposed to removing the lining in that area and glueing a support under the bar. Firstly there is an extra step involved in using a separate support. Secondly those supports are difficult to shape after the fact (the top ones are easy to shape with a bellied chisel if you are putting the top on first and then the back). The last disadvantage has to do with glue squeeze out. A pocket makes a very self contained joint whereas the open lining with the support is open and allows glue flow if you are not very careful, especially if the brace end is high. And that is the problem, I use supports for the back bars on my Torres copies because that is what he did but also because with those unscallopped bars the bar end is too high to allow a pocket with enough support.
Ready for bracing
For Sale
You hear about the depreciation of cars – you lose a few thousand as soon as you drive it off the lot. One website says that you lose 9% of the value immediately. I have heard that guitar buyers feel the same way, that as soon as a guitar is second hand it loses a lot of “value”. This might be due to a number of different causes: the added value of having a relationship of some sort with the artisan along with some level of customisation or the pride of ownership of something shiny and new. On the other hand some will quote the price of second hand instruments to show that new prices are inflated; guitar-makers are overcharging. Well, that last idea is a bit crazy because if we were overcharging no one would buy our instruments especially since there seem to be guitars at every price point. Furthermore I disagree in general with the idea that guitars lose value as they age. First, they get played in and sound better (usually). Second, a guitar that has survived a few summers and some hard playing will be very unlikely to crack or warp if it hasn’t already. Third, as always you are getting what you see as opposed to ordering a guitar and accepting what you get. And last but not least is the wood. We can’t always get our hands on spectacular wood and some woods can take on the most amazing colour as they age.
Of course I have ulterior motives for this rant. I just got one of my guitars back on a trade-in and it happens to be a particularly fabulous guitar so I am betting that I can sell it quickly for the same price as a new one. You know, put your money where your mouth is, the proof is in the pudding. It should be said that both the client and myself recognise the value of this one as being equal to a new one. The first thing about this guitar is how well it has been taken care of over the 10 years of its life. It looks so good that I am not even going to touch up the french polish. The spruce top has taken on a beautiful golden colour that only exposure to light can give it over time. The rosewood I used is that orangey-red and black that everyone wants and these days you just don’t find. This is my Torres SE153 copy so most of you know how good that sounds. I put some new Rodgers on it and will throw in a nice case too. The scale length is 650 and the width at the nut is 50. Write or call for pricing. +34-654-570801 johnguitar(at)johnguitar.com Just for your information my client took a copy of the Invencible also Torres.

No sé si utilizar la palabra depreciación o más bien devaluación para hablar del fenómeno de la pérdida de valor de un coche en cuanto sales del concesionario. Algunas fuentes hablan de un 9% de bajada de precio de inmediato. También hay quien relaciona esto con las guitarras. Puede ser por que valoramos mucho la relación con el constructor o la posibilidad de hacer un pedido personalizado o simplemente nos gusta tanto las cosas nuevas y brillantes. Por el otro lado hay quien te habla de los precios de los instrumentos de segunda mano como prueba del delito de precios inflados. Tonterías! Si los precios de nuevas guitarras fueron demasiado altos no las comprarían la gente. Hay precios para todos los gustos además. Yo no estoy de acuerdo con todas estas ideas. Una guitarra si te vale, puedes hacer música con ella y te gusta la estética da igual la edad que pueda tener (hasta cierto límite, claro). Primero, una guitarra suele sonar mejor con el tiempo. Segundo, una guitarra que ha viajado, se ha tocado y ha sobrevivido un par de veranos en el sur ya tiene cierta garantía: si tenía tendencia a rajarse o a deformarse ya lo habría hecho. Tercero, como comprar en las tiendas, la pruebas y te la llevas – nada de encargar y esperar. Y por último está la madera, hay unas maderas de hace unos años que son espectaculares y ya no se ven. En cuanto a las maderas claras estas envejecen y toman un tono dorado precioso.
Claro claro, todo esto no es hablar por hablar. Acabo de recibir una guitarra mía como cambio por otro modelo. Da la casualidad de que es una guitarra maravillosa y estoy seguro que pueda venderla por el mismo precio que una nueva. Ya que defiendo que las guitarras no pierdan valor a ver si soy capaz de demostrarlo. Tanto yo como el cliente estamos de acuerdo en que esta guitarra desde luego vale tanto como una nueva. Lo primero que destaca de esta guitarra es el estado. Se ha tocado bastante en sus 10 años pero está casi como nueva. Hasta el punto de que no pienso retocar el barniz. La tapa de abeto ha adquirido un color dorado que solo confiere la luz y el tiempo. El palosanto es aquel anaranjado con notas negras que todo el mundo quiere pero nadie encuentra. Es la copia que hago de Torres SE153 así que ya sabes que suena bien. He instalado unos Rodgers nuevos y pondré también un estuche bueno. Es 650 con 50 en la cejilla como el original. Llamame o escribe para el precio. 654-570801. johnguitar@johnguitar.com. Por vuestra información el cliente se llevo una copia de la Invencible de Torres.
Birth of a Logo
We needed a logo for the Association of Guitar-makers and I had a few offers from web developers and designers but there was really no interest among the members to spend money on that sort of thing. So I thought maybe I could do something:
I took a photo of the guitar after wrapping it up in string the way we do to glue the back on. We do this in order to put light pressure on all points of the back and to be able to heat it up afterwards.
In this case I wasn’t glueing the back on but rather trying to get the perfect shot so the guitar is a completed one and I didn’t do it on the solera.
I was then able to negativize it and clean it up and get rid of the background. Then it was a matter of reducing it to black and white.And of course to find the right orientation. Of course deciding how to do it and trying different photos initially is what took the most time. And here is the final result on a business card. I love it because it really represents us but is simple and aesthetically pleasing.

