This ebony strip was used by García and Simplicio followed suit. It is not something that I would like to adopt for my personal models but I like my copies to be as authentic as possible. I have a few more photos of the very specific characteristics of Simplicio guitars and will upload them to future posts. I can’t believe how much time the little things are taking on this model, so many things are different.
Back purfling
I like the simplicity of the book-matched back with nothing in the middle on my guitars but when I am making copies I tend to follow the original. There are two ways to do this, one is to glue the strips between the pieces of wood and the other is to inlay them half of the depth. In this case I chose the latter for no special reason. This purfling will be mitered and will continue around the edge of the guitar but only on the back. I listened to and examined another Simplicio this weekend and I feel like I am getting a sense of what they are like. Quite important when you are making a copy. The one I saw was earlier with a Torres-style head and simpler purfling.
Álvaro Toscano Román
Segovia Competition Semifinals
Today and tomorrow the following participants will pass on to the semifinals: Shenghao Liu (China). Belmin Okanovic (Bosnia Herzegovina), Álvaro Toscano Román (Córdoba) y Ausias Parejo Calabuig (Valencia), Javier García Verdugo (Madrid), Fan Shilong (China) , Yokomura Nene (Japan) y Yuki Saito (Japan).
Andrés Segovia Competition
El polaco Jan Markowski abre el XXXVIII Certamen Internacional de Guitarra Clásica “Andrés Segovia”
This is the only reference I could find that included the names of the participants in this year’s “Certamen”. Good luck to all! I suppose that tomorrow those who advance to the second round will be announced.